{"id":10167,"date":"2023-02-23T12:26:26","date_gmt":"2023-02-23T12:26:26","guid":{"rendered":"http:\/\/www.teatrolaribalta.it\/andrea-cosentino\/"},"modified":"2023-03-16T13:39:21","modified_gmt":"2023-03-16T13:39:21","slug":"andrea-cosentino","status":"publish","type":"post","link":"https:\/\/www.teatrolaribalta.it\/de\/andrea-cosentino\/","title":{"rendered":"ANDREA COSENTINO"},"content":{"rendered":"[vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ top_padding=“30″ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][image_with_animation image_url=“10030″ alignment=“center“ animation=“Fade In“ border_radius=“none“ box_shadow=“none“ max_width=“100%“][divider line_type=“No Line“ custom_height=“30″][vc_column_text]\n

ANDREA COSENTINO<\/span><\/h4>\n[\/vc_column_text][vc_column_text]\n

Gioved\u00ec\/Donnerstag 02\/03\/23 + Venerd\u00ec\/Freitag\u00a0<\/span>03\/03\/23
\nh 20:30<\/strong>
\n<\/span><\/h4>\n

Bolzano\/Bozen
\nTeatro Comunale di Gries\/Stadttheater Gries<\/strong><\/span>
\n(Galleria Telser Gallerie 13)
\n<\/span><\/p>\n[\/vc_column_text][vc_column_text]\n

TICKETS<\/strong><\/span><\/p>\n

Info: info@teatrolaribalta.it<\/a>
\nT. 0471 324943[\/vc_column_text][vc_column_text]\n

Ingresso\/Eintritt: 15 euro
\n<\/span><\/strong>Ingresso ad entrambi gli spettacoli\/Beide Vorstellungen: 20 euro<\/span><\/strong><\/span><\/div>\n[\/vc_column_text][\/vc_column][vc_column centered_text=“true“ column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_row_inner column_margin=“default“ text_align=“left“][vc_column_inner column_padding=“no-extra-padding“ column_padding_position=“all“ centered_text=“true“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ column_border_width=“none“ column_border_style=“solid“][image_with_animation image_url=“9878″ alignment=“center“ animation=“Fade In“ border_radius=“none“ box_shadow=“none“ max_width=“100%“][\/vc_column_inner][\/vc_row_inner][nectar_btn size=“large“ button_style=“regular“ button_color_2=“Accent-Color“ icon_family=“none“ url=“https:\/\/www.andreacosentino.net\/“ text=“SCOPRI DI PIU'“][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ top_padding=“30″ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]02\/03\/23<\/span><\/strong><\/p>\n

PRIMI PASSI SULLA LUNA\u00a0<\/span>
\n<\/strong>Divagazioni provvisorie\u00a0per uno spettacolo postumo[\/vc_column_text][\/vc_column][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]03\/03\/23<\/span><\/strong><\/p>\n

RIMBAMBIMENTI
\nUN TED TALK SENESCENTE IN SALSA PUNK<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Lo sbarco sulla luna d\u00e0 il la a una schiera di improbabili personaggi per discutere di torri gemelle, monoliti, alieni e spiritualit\u00e0, scimmie, tapiri e licantropi. Ma l\u2019allunaggio del \u201969 \u00e8 anche l\u2019evento mediatico attraverso il quale misurare l\u2019inattingibilit\u00e0 del reale in un\u2019epoca la cui verit\u00e0 coincide con il suo darsi in rappresentazione.\u00a0Il lavoro di Cosentino inquadra immagini del futuro ormai passate, prendendo spunto dal quarantennale del primo allunaggio, passando per il centenario del manifesto futurista, il cinquantenario della creazione della prima Barbie e i dieci anni dalla morte di Stanley Kubrick.\u00a0Contro la sete di realt\u00e0, l\u2019ossessione per le storie vere, i fatti di cronaca e i reality show, Cosentino ci conduce in un viaggio surreale, esilarante e struggente. Al cuore del tutto c\u2019\u00e8 uno squarcio di storia intima, quasi una confessione offerta in sacrificio, che ha a che fare con la paternit\u00e0 e le fragilit\u00e0 dell\u2019infanzia.<\/span><\/p>\n

Die Mondlandung ist der Ausgangspunkt f\u00fcr eine Reihe schr\u00e4ger Figuren, \u00fcber Zwillingst\u00fcrme, Monolithen, Au\u00dferirdisches Leben und Spiritualit\u00e4t, Affen, Tapire und Werw\u00f6lfe zu diskutieren. Aber die Mondlandung von 1969 ist auch das Medienereignis, an dem sich die Unerreichbarkeit des Realen in einer Epoche messen l\u00e4sst, deren Wahrheit mit ihrer Selbstdarstellung zusammenf\u00e4llt.\u00a0<\/em>Cosentinos Werk zeigt Bilder der Zukunft, die bereits in der Vergangenheit liegen. Ausgangspunkt sind der vierzigste Jahrestag der ersten Mondlandung, der hundertste Jahrestag des futuristischen Manifests, der f\u00fcnfzigste Jahrestag der Erschaffung der ersten Barbie und der zehnte Todestag von Stanley Kubrick.\u00a0<\/em>Gegen den Realit\u00e4tsdrang, die Besessenheit von wahren Geschichten, Nachrichten und Reality-Shows nimmt uns Cosentino mit auf eine surreale, urkomische und ergreifende Reise. Im Mittelpunkt steht ein St\u00fcck intimer Geschichte, fast eine opferwillige Beichte, in der es um Vaterschaft und die Fagilit\u00e4t der Kindheit geht.<\/em><\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Rimbambimenti<\/em> parte come una conferenza sul tempo da parte di un fisico affetto da demenza senile e si trasforma man mano in un concerto-spettacolo fatto di composizioni e improvvisazioni, azioni e digressioni surreali, giocando con i paradossi della fisica posteinsteiniana e le defaillance<\/em> della memoria.\u00a0Tra spiegazioni scientifiche e discorsi a vanvera, il performer dimentica progressivamente la sua parte, cerca di ricostruirla attraverso appunti e oggetti sulla scena dei quali fatica a ricordare l\u2019utilit\u00e0, si barcamena a costruire una funzione plausibile alla propria presenza, fino a perdere ogni cognizione di cosa sia l\u00ec a fare, in un processo inarrestabile verso la dissoluzione e l\u2019entropia.Il risultato \u00e8 un viaggio filosofico-musical-sentimentale, un mix incosciente tra musica tecnologica, teatro di figura (in scena una marionetta a grandezza umana, manipolata in stile bunraku<\/em>), rigore scientifico e parole in libert\u00e0, una clownerie senescente in salsa punk.<\/span><\/p>\n

\u00a0<\/strong>Rimbambimenti beginnt als Vortrag eines an Altersdemenz leidenden Physikers \u00fcber die Zeit, verwandelt sich jedoch allm\u00e4hlich in eine Art Konzert-Show aus Kompositionen und Improvisationen, Aktionen und surrealen Abschweifungen, die mit den Paradoxien zwischen Post-Einsteinscher Physik und mangelhaftem Ged\u00e4chtnis spielt.\u00a0<\/em>Zwischen wissenschaftlichen Erkl\u00e4rungen und weitschweifigen Reden vergisst der Darsteller nach und nach seine Rolle. So versucht er, sie anhand von Notizen und Gegenst\u00e4nden auf der B\u00fchne zu rekonstruieren, an deren Nutzen er sich nur mit M\u00fche erinnern kann. Er bem\u00fcht sich, eine plausible Erkl\u00e4rung f\u00fcr seine eigene Anwesenheit zu geben, bis er in einem unaufhaltsamen Prozess der Aufl\u00f6sung und Entropie jedes Wissen dar\u00fcber verliert, wozu er da ist.\u00a0<\/em>Das Ergebnis ist eine philosophisch-musikalisch-sentimentale Reise, eine unbewusste Mischung aus technologischer Musik, Figurentheater (auf der B\u00fchne steht eine menschengro\u00dfe Puppe im Bunraku-Stil), wissenschaftlicher Strenge und befreiten Worten; eine punkige Groteske des Alterns.<\/em><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][divider line_type=“Full Width Line“ line_thickness=“1″ divider_color=“extra-color-3″][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column boxed=“true“ centered_text=“true“ column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_row_inner column_margin=“default“ text_align=“left“][vc_column_inner column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“4\/6″ column_border_width=“none“ column_border_style=“solid“][image_with_animation image_url=“9502″ alignment=“center“ animation=“Fade In“ border_radius=“none“ box_shadow=“none“ max_width=“100%“][\/vc_column_inner][vc_column_inner column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/6″ column_border_width=“none“ column_border_style=“solid“][divider line_type=“No Line“][vc_column_text]\n

Sponsor<\/strong><\/span><\/h4>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/6″ column_border_width=“none“ column_border_style=“solid“][image_with_animation image_url=“8472″ alignment=““ animation=“Fade In“ border_radius=“none“ box_shadow=“none“ max_width=“100%“ img_link=“https:\/\/www.alperia.eu\/it“][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

Rassegna teatrale Corpi Eretici 2022-23<\/p>\n","protected":false},"author":1,"featured_media":9895,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[71,1],"tags":[],"class_list":{"0":"post-10167","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-news-de","8":"category-non-categorizzato"},"yoast_head":"\nANDREA COSENTINO - Teatro La Ribalta - TRAUM<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.teatrolaribalta.it\/de\/andrea-cosentino\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ANDREA COSENTINO - Teatro La Ribalta - TRAUM\" \/>\n<meta property=\"og:description\" content=\"Rassegna teatrale Corpi Eretici 2022-23\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.teatrolaribalta.it\/de\/andrea-cosentino\/\" \/>\n<meta property=\"og:site_name\" content=\"Teatro La Ribalta - 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