{"id":9623,"date":"2022-02-22T15:28:38","date_gmt":"2022-02-22T15:28:38","guid":{"rendered":"http:\/\/www.teatrolaribalta.it\/?p=9623"},"modified":"2024-11-19T12:07:16","modified_gmt":"2024-11-19T11:07:16","slug":"macbettu","status":"publish","type":"post","link":"http:\/\/www.teatrolaribalta.it\/de\/macbettu\/","title":{"rendered":"„Macbettu“"},"content":{"rendered":"[vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ top_padding=“30″ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n

MACBETTU<\/span>
\nAlessandro Serra | Sardegna Teatro<\/span><\/h4>\n[\/vc_column_text][vc_column_text]\n

Bolzano\/Bozen \u2013 <\/strong><\/span><\/span>Teatro Cristallo Theater
\n<\/span>(via Dalmazia\/Dalmatienstr. 30)<\/span><\/p>\n

Mercoled\u00ec\/Mittwoch 02.03.2022 – h 21:00<\/span><\/h4>\n[\/vc_column_text][divider line_type=“No Line“][vc_column_text]di\/von Alessandro Serra<\/span><\/p>\n

Tratto da\/In Anlehnung an: Macbeth di William Shakespeare<\/span>
\nCon\/Mit: Fulvio Accogli, Andrea Bartolomeo, Alessandro Burzotta, Andrea Carroni, Giovanni Carroni, Maurizio Giordo, Stefano Mereu, Felice Montervino<\/span>
\nTraduzione in sardo e consulenza linguistica\/<\/span>\u00dcbersetzung <\/span><\/em><\/span>ins Sardische und Sprachberatung: Giovanni Carroni<\/span>
\nCollaborazione ai movimenti di scena\/Zusammenarbeit B\u044chnenbild: Chiara Michelini<\/span>
\nPietre sonore\/Klangsteine: Pinuccio Sciola<\/span>
\nComposizioni pietre sonore\/Klangstein-Komposition: Marcellino Garau<\/span>
\nTecnico della luce e Direzione Tecnica\/Lichttechnik und technische Leitung: Stefano Bardelli<\/span>
\nTecnico del suono\/Tontechnik: Giorgia Mascia<\/span>
\nRegia, scene, luci, costumi\/Regie, Ausstattung, Beleuchtung, Kost<\/span>\u00fc<\/span><\/em><\/span>me: Alessandro Serra<\/span>
\n
\nProduzione\/Produktion\/: Sardegna Teatro, Compagnia Teatropersona<\/span>
\nDistribuzione\/Vertrieb: Danilo Soddu<\/span>
\nCon il sostegno di\/ Con il sostegno di\/ Mit der Unterst\u00fctzung <\/span><\/em><\/span>von: Fondazione Pinuccio Sciola e Cedac Circuito Regionale Sardegna<\/span><\/p>\n

Spettacolo in sardo con sovratitoli in italiano ::: Gespielt auf Sardisch mit italienischen <\/span>\u00dcbertiteln<\/span><\/em><\/span>[\/vc_column_text][divider line_type=“No Line“ custom_height=“9″][vc_column_text]Il Macbeth di Shakespeare recitato in sardo e, come nella pi\u00f9 pura tradizione elisabettiana, interpretato da soli uomini. L\u2019idea nasce nel corso di un reportage fotografico tra i carnevali della Barbagia. I suoni cupi prodotti da campanacci e antichi strumenti, le pelli di animali, le corna, il sughero. La potenza dei gesti e della voce, la confidenza con Dioniso e al contempo l\u2019incredibile precisione formale nelle danze e nei canti. Le fosche maschere e poi il sangue, il vino rosso, le forze della natura domate dall\u2019uomo. Ma soprattutto il buio inverno. La lingua sarda non limita la fruizione ma trasforma in canto ci\u0442 che in italiano rischierebbe di scadere in letteratura.<\/p>\n

Uno spazio scenico vuoto, attraversato dai corpi degli attori che disegnano luoghi e evocano presenze. Pietre, terra, ferro, sangue, positure di guerriero, residui di antiche civilt\u00e0 nuragiche. Materia che non veicola significati, ma forze primordiali che agiscono su chi le riceve.[\/vc_column_text][divider line_type=“No Line“][\/vc_column][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_row_inner column_margin=“default“ text_align=“left“][vc_column_inner column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ column_border_width=“none“ column_border_style=“solid“][image_with_animation image_url=“9618″ alignment=“center“ animation=“Fade In“ border_radius=“none“ box_shadow=“none“ max_width=“100%“][\/vc_column_inner][\/vc_row_inner][divider line_type=“No Line“ custom_height=“20″][vc_column_text]\n

Info<\/strong><\/span>
\ninfo@teatrolaribalta.it<\/a>, T. 0471 324943
\nprenotazioni@teatrocristallo.it<\/a>, T. 0471 202016<\/p>\n[\/vc_column_text][vc_column_text]\n

Ingresso intero\/Vollpreis: 15 euro<\/strong>
\nRidotto\/<\/strong>Erm\u00e4essigt<\/span><\/strong>: 10 euro (students & over 65 & Cristallo Card)<\/strong><\/p>\n[\/vc_column_text][vc_column_text]\n

Prenotazioni\/Reservierungen<\/strong>
\n! ON LINE ! https:\/\/ticket.midaticket.it\/teatrocristallo\/Events<\/a><\/strong><\/p>\n[\/vc_column_text][divider line_type=“No Line“ custom_height=“30″][divider line_type=“No Line“ custom_height=“30″][divider line_type=“No Line“ custom_height=“30″][divider line_type=“No Line“ custom_height=“30″][divider line_type=“No Line“ custom_height=“30″][divider line_type=“No Line“ custom_height=“30″][vc_column_text]\n

Shakespeares Macbeth: auf Sardisch und in reinster Elisabethanischer Tradition nur von M\u00e4nnern aufgef\u00fchrt. Die Idee entstand w\u00e4hrend einer Fotoreportage \u00fcber den Karneval in Barbagia in Sardinien. Die d\u00fcsteren Kl\u00e4nge von Glocken und alten Instrumenten, Tierh\u00e4uten, H\u00f6rnern, Kork. Die Kraft der Gesten und der Stimme, das Vertrauen in Dionysos und gleichzeitig die unglaubliche formale Pr\u00e4zision in T\u00e4nzen und Liedern. Die traurigen Masken, das Blut, der Rotwein, die vom Menschen geb\u00e4ndigten Naturgewalten. Aber vor allem der finstre Winter. Die sardische Sprache schr\u00e4nkt die Darbietung nicht ein, sondern verwandelt sie in Gesang.<\/span><\/em><\/p>\n

Ein leerer B\u00fchnenraum wird von den Schauspielern durchquert, deren K\u00f6rperlichkeit die Orte der Handlung nachzeichnen und doch die Gegenwart heraufbeschw\u00f6ren. Steine, Erde, Eisen, Blut, Kriegerposen, \u00dcberreste der alten nuragischen Zivilisation. Materie, die keine Bedeutungen vermittelt, sondern Urkr\u00e4fte, die auf all jene einwirken, die sie empfangen.<\/span><\/em><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column boxed=“true“ centered_text=“true“ column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_row_inner column_margin=“default“ text_align=“left“][vc_column_inner column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“4\/6″ column_border_width=“none“ column_border_style=“solid“][image_with_animation image_url=“9502″ alignment=“center“ animation=“Fade In“ border_radius=“none“ box_shadow=“none“ max_width=“100%“][\/vc_column_inner][vc_column_inner column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/6″ column_border_width=“none“ column_border_style=“solid“][divider line_type=“No Line“][vc_column_text]\n

Sponsor<\/strong><\/span><\/h4>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/6″ column_border_width=“none“ column_border_style=“solid“][image_with_animation image_url=“8472″ alignment=““ animation=“Fade In“ border_radius=“none“ box_shadow=“none“ max_width=“100%“ img_link=“https:\/\/www.alperia.eu\/it“][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

Circuito regionale Arte della Diversit\u00e0
\nRegionale Tourn\u00e8e Kunst der Vielfalt<\/p>\n","protected":false},"author":1,"featured_media":9472,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[71],"tags":[],"class_list":{"0":"post-9623","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-news-de"},"yoast_head":"\n"Macbettu" - Teatro La Ribalta - TRAUM<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.teatrolaribalta.it\/de\/macbettu\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Macbettu" - Teatro La Ribalta - TRAUM\" \/>\n<meta property=\"og:description\" content=\"Circuito regionale Arte della Diversit\u00e0 Regionale Tourn\u00e8e Kunst der Vielfalt\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.teatrolaribalta.it\/de\/macbettu\/\" \/>\n<meta property=\"og:site_name\" content=\"Teatro La Ribalta - 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