{"id":11959,"date":"2024-07-20T06:52:05","date_gmt":"2024-07-20T06:52:05","guid":{"rendered":"https:\/\/www.teatrolaribalta.it\/17-1o1-2o25valentina-dal-masluisa\/"},"modified":"2024-10-24T11:48:05","modified_gmt":"2024-10-24T09:48:05","slug":"17-1o1-2o25valentina-dal-masluisa","status":"publish","type":"post","link":"http:\/\/www.teatrolaribalta.it\/de\/17-1o1-2o25valentina-dal-masluisa\/","title":{"rendered":"17.O1.2O25
Valentina Dal Mas
LUISA
"},"content":{"rendered":"[vc_row type=“in_container“ full_screen_row_position=“middle“ column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ scene_position=“center“ top_padding=“12″ text_color=“dark“ text_align=“left“ row_border_radius=“none“ row_border_radius_applies=“bg“ overflow=“visible“ overlay_strength=“0.3″ gradient_direction=“left_to_right“ shape_divider_position=“bottom“ bg_image_animation=“none“ gradient_type=“default“ shape_type=““][vc_column column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ column_position=“default“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/2″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n

Teatro Comunale di Gries\/Stadttheater Gries<\/span>
\nh 2O.3O<\/span><\/p>\n[\/vc_column_text][vc_column_text]\n

LUISA<\/b><\/span><\/span><\/p>\n

Di e con\/Mit und von: Valentina Dal Mas
\n<\/span>Testo originale\/Originaltext: Valentina Dal Mas
\n<\/span>Direzione tecnica\/Technische Leitung: Federico Fracasso
\n<\/span>Registrazioni audio\/Registrazioni audio: Matteo Balbo
\n<\/span>Assistente alla creazione\/Assistente alla creazione: Ludovica Messina Poerio<\/span><\/p>\n

Un ringraziamento a\/Un ringraziamento a: Angela Marangon, Claudia Rossi Valli
\n<\/span>Produzione\/Produktion: La Piccionaia Centro di Produzione Teatrale
\n<\/span>Con il sostegno di\/Mit der Unterst\u00fctzung von: Scenario ETS e Teatro Due Mondi \u2013 Residenza per artisti nei territori, Faenza<\/span><\/p>\n

Premio Scenario Periferie 2023<\/strong><\/span>[\/vc_column_text][vc_row_inner column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ text_align=“left“ row_position=“default“ row_position_tablet=“inherit“ row_position_phone=“inherit“ overflow=“visible“ pointer_events=“all“][vc_column_inner column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ overflow=“visible“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/1″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][image_with_animation image_url=“11252″ image_size=“full“ animation_type=“entrance“ animation=“Fade In“ animation_easing=“default“ animation_movement_type=“transform_y“ hover_animation=“none“ alignment=“center“ border_radius=“none“ box_shadow=“none“ image_loading=“default“ max_width=“100%“ max_width_mobile=“default“ img_link=“https:\/\/www.teatrolaribalta.it\/2023-corpi-eretici\/“][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ column_position=“default“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/2″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“ column_padding_type=“default“ gradient_type=“default“][vc_column_text css=““ text_direction=“default“]Luisa nasce dall\u2019incontro con una fragile donna di nome Luisa. Luisa cuce. Cuce se stessa all\u2019aria che la circonda, per non sfilacciarsi lontana dal mondo. Si affilia all\u2019eterno continuo dei mulini a vento. Si aggrappa all\u2019iniziale del suo nome per saettare verso lune di senso screziate a squarciagola, a ritmo di un baluginio, a cuor sospeso. Zigzaga come una stella smarrita in una costellazione chiamando a raccolta i frammenti sparpagliati di s\u00e9; li partorisce nel suo fazzoletto di cielo scontornato affinch\u00e9 rinvenga, il filo della sua vita. Sospinta da un refolo canterino, Luisa lambisce i confini della sua Terra Promessa fino a squarciarli battagliera come La Libert\u00e0 che guida il popolo\u00a0di Delacroix.
\nLuisa incarna La Fragilit\u00e0 che guida il popolo, un\u2019adunanza di sfumature umane sempre cangianti e dissonanti nel loro divenire. Ma Luisa non sguaina verso il cielo la bandiera di una nazione, issa con disincanto la sua rosa perch\u00e9, prendendo in prestito le parole dello psichiatra Franco Rotelli, \u201cmancano cinquemila rose perch\u00e9 tante ne abbiamo messe, ma altrettante ne avevamo in pi\u00f9 promesse!\u201d.<\/p>\n

Una drammaturgia sensoriale complessa, alimentata da incontri nati in contesti di cura trascritti in forma poetica, diviene l\u2019intreccio di un tessuto emotivo che scuote gli sguardi, accarezzando l\u2019aria.<\/p>\n

Luisa n\u00e4ht. Sie n\u00e4ht sich selbst an die Luft um sie herum, um nicht von der Welt zu zerfasern. Sie klammert sich an das ewige Kontinuum der Windmu\u0308hlen, an die Initialen ihres Namens, um ferne Monde zu erreichen und die Sinne zu erwecken. Getragen von einer singenden Brise, umrundet Luisa die Grenzen ihres gelobten Landes, bis sie diese niederrei\u00dft und k\u00e4mpft wie Die Freiheit, die das Volk von Delacroix fu\u0308hrt. Luisa verk\u00f6rpert die Zerbrechlichkeit des Volkes \u2013 eine Ansammlung menschlicher Nuancen, die sich st\u00e4ndig ver\u00e4ndern und in ihrem Werden dissonant sind. Aber Luisa entrollt nicht die Fahne einer Nation zum Himmel; sie hisst ihre Rose mit Entt\u00e4uschung, denn, um es mit den Worten des Psychiaters Franco Rotelli zu sagen: \u201eEs fehlen fu\u0308nftausend Rosen, denn wir haben zwar viele Rosen gebracht, aber ebenso viele weitere hatten wir versprochen zu bringen!\u201c Eine komplexe Sinnesdramaturgie, die sich aus Begegnungen in Pflegekontexten speist und in poetische Form u\u0308bertragen wurde, wird zur Textur eines emotionalen Stoffes, der uns die Augen rieben l\u00e4sst und die Luft liebkost.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ scene_position=“center“ text_color=“dark“ text_align=“left“ row_border_radius=“none“ row_border_radius_applies=“bg“ overflow=“visible“ overlay_strength=“0.3″ gradient_direction=“left_to_right“ shape_divider_position=“bottom“ bg_image_animation=“none“][vc_column column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ column_position=“default“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/1″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][divider line_type=“Full Width Line“ line_thickness=“1″ divider_color=“extra-color-3″ custom_height=“10″][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ scene_position=“center“ text_color=“dark“ text_align=“left“ row_border_radius=“none“ row_border_radius_applies=“bg“ overflow=“visible“ overlay_strength=“0.3″ gradient_direction=“left_to_right“ shape_divider_position=“bottom“ bg_image_animation=“none“][vc_column column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ column_position=“default“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/3″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][vc_column_text css=““ text_direction=“default“]\n

TICKETS<\/strong><\/span><\/p>\n