{"id":11947,"date":"2024-07-20T07:21:26","date_gmt":"2024-07-20T07:21:26","guid":{"rendered":"https:\/\/www.teatrolaribalta.it\/28-o3-2o25delia-niccolini-vetrano-randisicaravaggio-di-chiaro-e-di-scuro\/"},"modified":"2024-10-24T11:46:25","modified_gmt":"2024-10-24T09:46:25","slug":"28-o3-2o25delia-niccolini-vetrano-randisicaravaggio-di-chiaro-e-di-scuro","status":"publish","type":"post","link":"http:\/\/www.teatrolaribalta.it\/de\/28-o3-2o25delia-niccolini-vetrano-randisicaravaggio-di-chiaro-e-di-scuro\/","title":{"rendered":"28.O3.2O25
D\u2019Elia \u2013 Niccolini, Vetrano – Randisi
CARAVAGGIO. Di chiaro e di scuro
"},"content":{"rendered":"[vc_row type=“in_container“ full_screen_row_position=“middle“ column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ scene_position=“center“ top_padding=“12″ text_color=“dark“ text_align=“left“ row_border_radius=“none“ row_border_radius_applies=“bg“ overflow=“visible“ overlay_strength=“0.3″ gradient_direction=“left_to_right“ shape_divider_position=“bottom“ bg_image_animation=“none“ gradient_type=“default“ shape_type=““][vc_column column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ column_position=“default“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/2″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n

Teatro Cristallo <\/span>
\nh 2O.3O<\/span><\/p>\n[\/vc_column_text][vc_column_text]\n

CARAVAGGIO. Di chiaro e di scuro<\/b><\/span><\/span><\/p>\n

Di\/Von: Francesco Niccolini
\n<\/span>Con\/Mit: Luigi D\u2019Elia
\n<\/span>Regia\/Regie: Enzo Vetrano, Stefano Randisi
\n<\/span>Light Designer: Francesco Dignitoso<\/span><\/p>\n

Una produzione\/Eine Produktion: Mesagne Capitale Cultura di Puglia 2023, Umana Meraviglia Compagnia INTI di Luigi D\u2019Elia, Le Tre Corde, Compagnia Vetrano\/Randisi, Teatri di Bari
\n<\/span>Con il sostegno di\/Mit der Unterst\u00fctzung von: Teatro Cristallo e PASSO NORD centro regionale residenze artistiche di montagna Trentino-Alto Adige\/S\u00fcdtirol sostenuto da MIC \u2013 Direzione Generale Spettacolo, Provincia Autonoma di Trento e Provincia Autonoma di Bolzano<\/span>[\/vc_column_text][vc_row_inner column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ text_align=“left“ row_position=“default“ row_position_tablet=“inherit“ row_position_phone=“inherit“ overflow=“visible“ pointer_events=“all“][vc_column_inner column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ overflow=“visible“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/1″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][image_with_animation image_url=“11276″ image_size=“full“ animation_type=“entrance“ animation=“Fade In“ animation_easing=“default“ animation_movement_type=“transform_y“ hover_animation=“none“ alignment=“center“ border_radius=“none“ box_shadow=“none“ image_loading=“default“ max_width=“100%“ max_width_mobile=“default“ img_link=“https:\/\/www.teatrolaribalta.it\/2023-corpi-eretici\/“][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ column_position=“default“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/2″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“ column_padding_type=“default“ gradient_type=“default“][vc_column_text]Che mistero \u00e8 Caravaggio che a 12 anni vuole solo dipingere? In mezzo alla peste, alle cataste di cadaveri, ai roghi in piazza, lui se ne va in bottega per imparare a dipingere. E considerando cosa ha fatto, quali opere ha realizzato, come ha cambiato la storia dell’arte per sempre, quale forza aveva dentro? Quale e quanta? Qual \u00e8 quella forza che a 12 anni ti appiccica gi\u00e0 al tuo desiderio fortissimo di essere quello per cui sei venuto sulla terra? Costi quel che costi.
\nIn Caravaggio convivono violenza e fragilit\u00e0, isolamento e bisogno di relazione, odio spietato e tenerezza: nelle sue tele, attraverso il colore e il buio, la sacralit\u00e0 dei temi e l\u2019umanit\u00e0 dei corpi che la rappresentano, e nella sua vita, un intreccio di passioni, tradimenti, violenze e fughe. Ma in tutto questo la cosa pi\u00f9 importante \u00e8 la verit\u00e0. Verit\u00e0 artistica, che significa credibilit\u00e0, rendere vicino ci\u00f2 che sembra lontano. Nei suoi quadri Caravaggio cerca e trova questa verit\u00e0, la rende concreta, visibile e tangibile.<\/p>\n

Le sue Opere, dimenticate fino al Novecento, spesso rimosse, rifiutate dai committenti perch\u00e9 troppo violente, scandalose, irriverenti, senza paradiso n\u00e9 speranza, rinascono per un momento sul palcoscenico \u2026<\/p>\n

Welches Geheimnis birgt Caravaggio, dass er im Alter von nur 12 Jahren nichts anderes als malen will? Mitten in der Pest, den Leichenbergen und den Feuern auf der Piazza zieht es ihn in seine<\/em> Werkstatt, um das Malen zu erlernen. Wenn man bedenkt, was er sp\u00e4ter vollbracht hat und wie er die Kunstgeschichte f\u00fcr immer ver\u00e4nderte \u2013 welche innere Kraft trieb ihn an? Welche Kraft l\u00e4sst einen 12-J\u00e4hrigen an dem unersch\u00fctterlichen Wunsch festhalten, das zu werden, wozu er auf die Welt gekommen ist? Koste es, was es wolle.
\n<\/em>In Caravaggio koexistieren Gewalt und Zerbrechlichkeit, Isolation und das Bed\u00fcrfnis nach menschlichen Beziehungen, r\u00fccksichtsloser Hass und Z\u00e4rtlichkeit: in seinen Gem\u00e4lden, durch das Spiel von Licht und Schatten, die sakralen Themen und die Menschlichkeit der dargestellten K\u00f6rper. Und in seinem Leben, einem Gewirr aus Leidenschaften, Verrat, Gewalt und Fluchten. Doch trotz all dem ist das Wichtigste die Wahrheit. K\u00fcnstlerische Wahrheit, die Glaubw\u00fcrdigkeit bedeutet und nahe bringt, was fern scheint. In seinen Gem\u00e4lden sucht und findet Caravaggio diese Wahrheit, er macht sie konkret, sichtbar und greifbar.<\/em><\/p>\n

\u00a0<\/em>Seine Werke, die bis ins 20. Jahrhundert in Vergessenheit gerieten, oft entfernt und von Auftraggebern abgelehnt wurden, weil sie als zu gewaltt\u00e4tig, skandal\u00f6s und respektlos galten, ohne Paradies oder Hoffnung, werden f\u00fcr einen Moment auf der B\u00fchne wiedergeboren …<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ scene_position=“center“ text_color=“dark“ text_align=“left“ row_border_radius=“none“ row_border_radius_applies=“bg“ overflow=“visible“ overlay_strength=“0.3″ gradient_direction=“left_to_right“ shape_divider_position=“bottom“ bg_image_animation=“none“][vc_column column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ column_position=“default“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/1″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][divider line_type=“Full Width Line“ line_thickness=“1″ divider_color=“extra-color-3″ custom_height=“10″][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ scene_position=“center“ text_color=“dark“ text_align=“left“ row_border_radius=“none“ row_border_radius_applies=“bg“ overflow=“visible“ overlay_strength=“0.3″ gradient_direction=“left_to_right“ shape_divider_position=“bottom“ bg_image_animation=“none“][vc_column column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ column_position=“default“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/3″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][vc_column_text css=““ text_direction=“default“]\n

TICKETS<\/strong><\/span><\/p>\n